Thursday, November 28, 2024

WE SHALL MEET AT 9:00 | CHRONICLE OF AGES

 

We shall meet at 9, said the soft-spoken priest.

Can we meet at 830?, insisted the lady on the phone.

We shall meet at 9, repeated the priest. Most humbly.

However, the lady had already made plans. The cab was to pick her up at 7 and drive her to Srirangapatam on the Mysore highway to meet this priest.

This priest was said to have an energy. And was now constructing a temple using ancient construction techniques. She came a 1,000 miles to meet him. But the lady, tough as nails, was to do it in her schedule.

Now.
The cab came early, at 615. They reached Srirangapatnam by 730.
"I arrived early," she messaged the priest."Can we meet now?"

They took a coffee break. Next to the shop was a poster of a temple. It was called Nimishamba temple. Where the god grants wishes every minute—nimisham. So to the temple it was. And as she was exiting, she saw another poster. For another temple. The Kshnamaba temple. Where the goddess grants wishes every second - kshanam. So there was another temple visit. After Darshan, she went to meet the priest. And as the priest walked in, she saw her watch. Dot 9 am.

The temple he is constructing is called Samaypuram. 
The time temple.

The above piece was given to Chatgpt and this is what it gave out.


The Time Temple

“We shall meet at 9,” said the soft-spoken priest, his tone measured and calm, as though his words carried the weight of inevitability.

“Can we meet at 8:30?” insisted the woman on the other end of the line. Her voice was sharp, brisk, a trait honed from years of navigating a world that respected punctuality and precision more than patience.

“We shall meet at 9,” the priest repeated, gently, humbly, as if the time itself was sacred.

The woman, however, had already planned her morning. A cab was scheduled to pick her up at 7 a.m. and ferry her the 125 kilometers from Bangalore to Srirangapatna, a historic town along the Mysore highway. She had come over a thousand miles to meet this priest—a man said to radiate a rare, unexplainable energy. Word had it that he was constructing a temple, reviving ancient architectural techniques lost to time.

And yet, despite the intrigue, she was resolute: the meeting would happen on her terms.

The Journey

The cab arrived earlier than expected—6:15 a.m. instead of 7. By 7:30, she was already in Srirangapatna. The air was crisp, carrying the faint aroma of jasmine and the earthy scent of the nearby Kaveri River. She sent a quick message to the priest.

“I’ve arrived early. Can we meet now?”

There was no immediate response. Unperturbed, she decided to explore.

Nearby, a modest coffee shop beckoned. She ordered a steaming filter coffee and sipped it slowly, her impatience softening against the rhythm of the small town waking up. Next to the shop hung a large poster of a temple, vibrant in its depiction of a deity.

“Nimishamba Temple,” the text read. Beneath it, a curious claim: The goddess grants wishes every minute—nimisham.

Intrigued, she decided to visit. The temple was a walkable distance away, tucked along the riverbank. Inside, devotees prayed fervently, their hopes mingling with the faint chiming of bells. The air felt charged, and for a moment, she felt a strange peace descend over her.

As she exited, her eyes caught another poster, faded but still legible.

“Kshnamamba Temple,” it read. The goddess grants wishes every second—kshanam.

A subtle smile curved her lips. If wishes could be granted in a minute at one temple, why not shave it down to seconds at the next? And so, she set off for Kshnamamba.

This temple, though less grand, held its own mystique. Its sanctum glowed with oil lamps, their flames steady despite the occasional gust of wind. She offered her prayers here too, her earlier impatience ebbing away entirely.

The Meeting

After a rather busy morning, she was waiting at the appointed place.

The priest appeared. He was a tall, serene figure, his robes simple but immaculate, his presence commanding yet calming.

“You arrived early,” he said, his voice laced with a knowing smile.

“Yes," she said and looked at her watch, it was dot 9:00,"but we are meeting at the time you chose,” she replied, her tone softened by the morning’s events.

The priest gestured for her to follow him. They walked a short distance to a clearing where an intricate stone structure was taking shape. Sculptors chiseled away at massive slabs of granite, their rhythmic strikes blending into the hum of the nearby forest.

“This,” he said, spreading his arms wide, “is the Samayapuram temple—the Time Temple. It is dedicated to the sacredness of time itself. Every stone here is measured, every corner aligned to cosmic rhythms. Time, you see, is not something we command. It is something we honor.”

She stood in awe, the realization settling over her like a gentle wave. The morning’s sequence—her insistence, the unexpected detours, the divine encounters—had all led her here, precisely at the right moment.

The priest turned to her, his gaze steady. “Time has a way of arranging itself when you surrender to it. Sometimes, the minutes and seconds matter. Sometimes, only the appointed hour does.”

And for the first time in a long while, the woman—tough as nails—let go of her need to control.

Epilogue

Years later, the Time Temple became renowned for its remarkable construction and its profound energy. Visitors would come from across the world, each drawn by tales of its harmony with the cosmos.

As for the woman, she often thought of that day, of the temples that marked the minutes and seconds, and of the priest who taught her the sacred art of waiting.

And whenever she found herself rushing or resisting, she would close her eyes, take a deep breath, and remember: We shall meet at 9.


8 comments:

  1. repeat content, kind sir!
    this was already listed on your blog a few years ago.
    I demand more idiosyncrasies from you!

    ReplyDelete
    Replies
    1. OMG—I didn't know I had followers. But you're right, kind sir/madam. I write again from memory and the new article I later compare with the original just to see if I had written better—better English, better story, better depth. This time, I did succeed. I think. You will see a lot more idiotsyncrasies from me. Don't worry. BTW.. this story had a deep effect on me. I made it into a video film. Hope u find it and see it someday.

      Delete
    2. you do, and I did .
      I like how AI shows everyone as a superfit human being and "assigns by default" -six pack for men and buxomness for women.
      I daresay if (like the naxals episode) everyone was as good looking as AI made them- we will either have a lot of illegitimate children or eliminate the caste issue once and for all... Well- worth the thought I guess

      Delete
  2. You have great insight of things.....

    ReplyDelete
  3. Maybe a line for you to consider..
    Heres a thought.
    Millenial (in this case- meaning- mid to late 2000-2010) writers that were famous- folks like chetan bhagat/david davidar/arundati roy- involved storytelling about reinterpreting rural circumstances/ middle call urbania and percived morals.

    Then everyone did that- and it was unique no more.
    The next phase- involved semi autobiography based novels- random workplace stories - strung together to make it a seamless and integrated phase- personal or anecdotal incidents picked up from colleagues and from work experience.

    Then everyone did that- and it was unique no more..

    So heres a story to illustrate an example (its not original content)
    " When I was an adolescent- I used to go to the local store and get myself some chips and thums up. Me and my friends used to have the old school BSA streetcats- and gathered in front of a typing institute to watch girls go in and talk to them. We also stood there and made fun of guys going to typing school calling them "faggot". I didnt realize how important typing was until I got a smart phone. I say "HI" to a girl on whatsapp and she sent me a two page bio/ message in 5 seconds.
    Really woman? All I said was "HI" and apparently I did that wrong as I typed in capitals. Like I was yelling HI at her!

    Its a combination of using old school stories in a new school context and attempts to bridge both audiences.
    An older generation person reads it and sees nostalgia
    A gen z person gets a "history of back then- and has enough words or terms- they can relate to. pepper it with words like "no cap", fml, yeet.

    The AI observation (above) was one such.





    ReplyDelete
    Replies
    1. I will let u into a little secret. I have a movie script since covid but its very difficult to get a production house intersted in a novice writer. So I got into comics and graphic novels. Not reading them though I can spend hours with Tintin even today. Making them, so I am busy converting my stories into comics books. I have 4 buckects. one - monkey stories two- crime and underworld three- moral stories - I dont follow any, but i can preach. and lastly romantic. This last one is out of this world. many panels require an advisery before. get my point. so lets see...

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    2. Yes- you did allude to it on one of your posts before. A blog based on a script for which they wanted to hustle you by paying peanuts.
      I was talking more of a novel - similar to the one you have already published so as to keep that end of the strategy going while you try and diversify your portfolio.
      People think observational humor / sarcasm can be composed by anyone. Perhaps thats true, but its far less effective in the wrong hands.
      Your work seems to show hints of it.
      Good luck with your strategy.

      Delete
    3. right now i am focussing on my 4 buckets - monkey stories, modern moral stories, action crime stories and omg romantic stories....

      Delete

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